Une Nuit Nomade
A unique visual signature based on accords, character, and seasonality
Bergamot arrives first, bright but fleeting, offering just enough citric lift before geranium's green, slightly spiced character takes over. Within moments, you sense the composition already retreating inward, signalling that projection has never been this fragrance's concern.
Turkish rose emerges with a dusty, slightly powdered quality as patchouli winds beneath it like smoke. The amber and benzoin begin asserting themselves here, transforming what could have been a simple floral into something considerably more resinous and contemplative, with the spice accord providing backbone.
Labdanum dominates, creating an almost incense-like dryness that feels almost papery against skin. Vanilla and cedarwood settle into a soft, woody embrace, the amber diffusing into a tender, close-to-skin warmth that persists as a gentle reminder rather than a statement—precisely what remains after four hours is what matters most.
Click Song unfolds like a traveller's journal written in amber and spice—a fragrance that privileges warmth over brightness, despite its bergamot opening. Serge de Oliveira has constructed something deliberately restrained here, a scent that whispers rather than projects. The geranium and bergamot in the top notes are understated, almost apologetic, serving mainly as a translucent veil before the composition's true intention emerges.
What distinguishes Click Song is the patchouli-rose interplay at its heart. The Turkish rose arrives with a soft, slightly indolic character—nothing polished or perfume-counter familiar—whilst the patchouli threads beneath it with earthy restraint, never veering into the animalic heaviness some find off-putting. This isn't a rose fragrance that demands attention; rather, it's one that assumes intimacy, meant to be discovered rather than announced.
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4.1/5 (247)