Salvatore Ferragamo
Salvatore Ferragamo
98 votes
A unique visual signature based on accords, character, and seasonality
Lemon leaf and grapefruit assault with green, bitter brightness, immediately undercut by cooling mint that feels almost aggressive in its freshness. The mandarin orange's honeyed sweetness arrives as a confused counterpoint, creating a three-way tug-of-war between sharp, bright, and sweet that never resolves.
Cascalone's fruity-floral character emerges like sediment settling, offering a brief moment of smoothness as lavender and rosemary weave through with herbal restraint. Geranium adds peppery spice, creating a somewhat muddled mid-fragrance that oscillates between fresh and faintly powdery without committing to either direction.
What little remains clings weakly to skin—a whisper of vetiver and patchouli attempting gravitas, but the composition has already largely dissipated into the ether, leaving only a faint, generic aquatic ghost. By the fourth hour, you're left questioning whether anything was ever truly there.
Acqua Essenziale reads as a fragmentary composition—a fragrance that seems perpetually in conversation with itself without ever quite achieving consensus. Alberto Morillas has constructed something fundamentally at odds with its own ambitions: a unisex aquatic that wants desperately to be both crisp and contemplative, yet settles into an uncomfortable middle ground.
The opening gesture is assertive enough. Lemon leaf and grapefruit arrive with deliberate sharpness, their green-skinned astringency cutting through with the kind of citrus-forward confidence you'd expect from a 2013 Ferragamo release. Mint enters as an unexpected accomplice, sharpening the edges further, whilst mandarin orange adds a softer, almost jammy sweetness that conflicts rather than complements. This fractious top note reveals the fragrance's central problem: too many voices, insufficient editing.
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4.0/5 (348)