Loewe
A unique visual signature based on accords, character, and seasonality
Red pepper's sharp bite cuts across the frankincense's ecclesiastical smoke, creating immediate tension—almost confrontational in its refusal to coddle. Within moments, the spice develops a dry, peppercorn quality that feels genuinely peppery rather than fruity, grounding the incense.
The leather surfaces gradually, its dry character playing against benzoin's honeyed whisper and vetiver's cool minerality. The composition settles into a cohesive warmth, the spice fading to background static whilst woody and resinous notes take command—leather and labdanum become the primary conversation.
Sandalwood and labdanum meld into a softened, slightly amber-tinted base that clings close to skin. The fragrance becomes increasingly intimate, almost skin-scent territory, with faint leather and woody echoes fading into a subtle, creamy woodiness that lingers without insistence.
Anónimo strips away pretence with the bluntness of a leather-bound ledger. Quentin Bisch has constructed something deliberately austere—a fragrance that refuses the easy seduction of florals or gourmands. The opening volley of frankincense and red pepper establishes an almost medicinal severity, as though you've stepped into a monastery during harvest season, all dried herbs and ceremonial smoke.
What emerges is a study in restraint masquerading as simplicity. The vetiver doesn't arrive with tropical bravado; instead, it arrives muted, almost grey-toned, anchored by benzoin's faint sweetness and leather's insistent whisper. This is leather as old book spines and worn saddles, not the lacquered leather of designer excess. The interaction between vetiver's earthy mineral quality and the resinous benzoin creates something oddly comforting—like standing near a wood fire that's beginning to settle into embers.
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3.3/5 (102)