Filippo Sorcinelli
Filippo Sorcinelli
167 votes
A unique visual signature based on accords, character, and seasonality
Myrrh and galbanum collide in an acrid green-resinous burst, sharp enough to make you catch your breath, with bergamot providing a brief citric flash before being swallowed by the fragrance's fundamentally bitter temperament. The petitgrain adds a whisper of brightness that feels almost apologetic against the composition's deliberate severity.
Cinnamon leaf and styrax emerge to create a spiced-resinous plateau, with clary sage contributing a slightly medicinal, herbal coolness that prevents the fragrance from becoming suffocating. Geranium and cedarwood provide structure—austere and linear, creating the illusion of depth without resorting to sweetness.
Frankincense and tobacco become the architectural skeleton as amber and benzoin warm fractionally beneath, whilst sandalwood and tonka add soft woody-creamy undertones that feel almost melancholic rather than comforting. The fragrance becomes a quiet meditation on absence, intensely personal and quietly narcotic.
Io Non Ho Mani Che Mi Accarezzino Il Volto is a fragrance that wears its existential crisis on its sleeve—a contradictory, almost confrontational composition that demands rather than charms. The title itself ("I have no hands to caress my face") sets the tone for something introspective and deliberately uncomfortable, which the composition delivers with architectural precision.
What emerges is a spiced resin cathedral, built on galbanum's sharp green-bitter skeleton and myrrh's dusty, sepulchral foundation. The cinnamon leaf doesn't arrive as a warming spice; instead, it amplifies the fragrance's austere character, cutting through the sweeter base notes with herbaceous bite. Styrax and frankincense create a liturgical undercurrent—ecclesiastical and ancient, evoking incense smoke clinging to wool vestments. The tobacco base is neither creamy nor indulgent; it's austere and slightly medicinal, refusing sentimentality.
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4.0/5 (116)