Ariana Grande
A unique visual signature based on accords, character, and seasonality
Effervescent pink grapefruit pierces through first, its natural bitterness juxtaposed against juicy raspberry and creamy pear notes. The top notes sparkle with genuine fruit character—tart, pulpy, momentarily sophisticated—before the sweetness inevitably begins its ascent.
Vanilla orchid emerges with an almost powdery delicacy, whilst lily of the valley adds that characteristic green-tinged indolic quality that keeps things from collapsing into pure gourmand territory. The marshmallow base creeps upward, gradually softening all the fruit's edges into a velvety, candied sweetness that dominates the mid-stage completely.
Blond woods and musk form a whisper-thin veil, carrying remnants of vanilla and marshmallow, but projection dwindles considerably. Within four to five hours, the fragrance becomes a skin scent—a barely-there sweetness that requires proximity to detect, ultimately fading into the musk's quiet embrace.
Ari presents itself as a crystalline confection—all gleaming fruit and spun sugar, engineered with precision rather than mystery. The pear-raspberry-grapefruit trinity opens with a tart brightness that immediately differentiates itself from the cloying sweetness to come; there's genuine citric snap here, particularly from the grapefruit's astringent edges, which prevents the composition from dissolving into pure candy in those first moments.
What's compelling about Ari is how Frank Voelkl has positioned the floral heart as a restraint mechanism rather than an elaboration. The vanilla orchid and lily of the valley sit like porcelain figurines atop the marshmallow base—ethereal and slightly cool, they keep the fragrance from tipping entirely into gourmand excess. There's a gossamer quality to these florals, almost synthetic in their precision, which actually serves the composition well; they're scaffolding for what might otherwise become shapeless sweetness.
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3.4/5 (92)