Tiziana Terenzi
A unique visual signature based on accords, character, and seasonality
Cognac-soaked resins explode with absinthe's green, bitter liquorice, whilst rosemary and myrtle inject an almost fougère-like herbal brightness that feels completely at odds with the brooding amber beneath. The black amber isn't golden or warm—it's tarry, dense, with a smoky quality that suggests burnt sugar and aged balsams rather than vanilla sweetness.
Camphor dominates the transition, its medicinal vapours weaving through sandalwood and cedarwood like aromatic smoke through temple rafters. Acacia honey attempts to soften the sharper edges, but the iris keeps things powdery and deliberately austere, whilst rose adds a subtle jammy quality that's more apothecary preserve than fresh bouquet.
Frankincense and labdanum form a resinous shield over skin, smoky and church-like, with vetiver's earthy roots tangling through oakwood's dry, tannic character. The oud never screams but provides a persistent animalic whisper, whilst bourbon vanilla finally emerges—not as sweetness, but as a creamy anchor that stops the whole composition from disappearing entirely into incense smoke.
Laudano Nero arrives like an apothecary's shop consumed by aromatic flames, where medicinal herbs and precious resins combust in slow, deliberate ceremony. The opening collision of cognac and black amber creates an immediate boozy-resinous foundation that's far removed from conventional amber fragrances—this is darker, more austere, with absinthe's bitter anise edge cutting through the sweetness like a steel blade. Paolo Terenzi has orchestrated a smoke ritual here, layering camphor's penetrating eucalyptus sharpness against the honeyed warmth of acacia, whilst cedarwood and sandalwood provide a fragrant timber frame that creaks under the weight of frankincense and labdanum. The iris lends a peculiar dusty-rooty quality that prevents this from becoming overtly sweet or conventionally oriental; instead, you get something ascetic, almost monastic, with rose petals strewn across ancient church pews.
This is for those who find most woody fragrances too polite, too office-appropriate. The oakwood and vetiver in the base create a damp forest floor strewn with fallen branches, whilst oud adds that necessary animalic funk that keeps things just left of centre. There's cashmere listed in the heart, but don't expect soft flannel—it's more like wool soaked in tinctures and hung to dry over smouldering incense. Laudano Nero demands attention without shouting, worn best in cold weather by those who appreciate perfumery's more esoteric corners, who understand that beauty needn't always be comfortable.
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3.7/5 (100)