Lancôme
Lancôme
154 votes
A unique visual signature based on accords, character, and seasonality
Bergamot and pink pepper fizz with almost aggressive brightness, followed immediately by pear's honeyed sweetness. Within minutes, blackcurrant bud darkens the composition—it's fruit-forward and luminous, but something richer is already bleeding through.
Hazelnut emerges with creamy insistence whilst iris pallida whispers powder beneath the floral crescendo. Jasmine sambac and tuberose collide in almost oppressive abundance, softened by ylang ylang's buttery warmth. Orange blossom ties everything together, creating a nuanced floral bed where tonka bean begins its inevitable ascent towards sweetness.
Patchouli and benzoin dominate, rendering the composition earthier and considerably more austere. The floral notes recede to a whisper, leaving a sweet, slightly woody-powdery shell that clings closer to skin. What remains is gourmand but muted—a sophisticated echo of the earlier excess.
La Vie est Belle Lancôme isn't interested in subtlety. This is a fragrance that announces itself with the confidence of someone who knows exactly what they want—and what they want is an intoxicating collision of orchard fruit and confectionery warmth. Dominique Ropion constructs a deliberately maximalist composition where the opening's citrus brightness (bergamot and pear) exists solely to introduce the fragrance's true agenda: a hazelnut-laced floral heart so densely perfumed it borders on baroque.
The iris pallida provides crucial architectural scaffolding here, offering a whisper of powdery restraint against the onslaught of jasmine sambac and tuberose—two of the most hedonistic florals in perfumery. Ylang ylang softens the edges with its almost creamy, almost indecent warmth. But this is where the tonka bean enters the equation, and everything pivots towards dessert. The fragrance becomes nutty, caramelised, almost edible.
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Diesel
3.3/5 (144)