Goldfield & Banks
A unique visual signature based on accords, character, and seasonality
Pink pepper and ginger ignite immediately with sharp, almost peppery-spiced vitality, the bergamot cutting through like a blade whilst nutmeg adds earthy complexity. It's a bracing, slightly austere introduction that signals this won't be a conventional tropical sojourn.
The composition pivots toward wood and leather as geranium blooms with a subtle green-rosy character, pairing with gaiac wood's resinous depth and Texas cedar's dry, pencil-like qualities. A whisper of leather emerges, creating an animalic, skin-like warmth that grounds everything in mineral reality rather than fantasy.
Multiple sandalwoods layer with oud and vetiver, creating a dense, woody-spicy embrace where benzoin Siam's subtle sweetness prevents austerity from becoming coldness. The leather persists, now more prominent, leaving a weathered, almost suede-like finish that feels intimate and deeply personal.
Island Lush arrives as a paradox: a fragrance that trades tropical languor for architectural restraint. Amélie Jacquin has constructed something unexpectedly austere here, a botanical that refuses to coddle. The ginger and pink pepper create a sharp, almost medicinal top that cuts through the Indonesian nutmeg's earthy sweetness, whilst Italian bergamot provides citric scaffolding rather than brightness. What emerges is distinctly terrestrial—this is earth after rain, not beach sand at sunrise.
The heart reveals Jacquin's true intention: Egyptian geranium, that green-rosy backbone, mingles with Paraguayan gaiac wood to create an animalic, slightly resinous quality that feels more like a forest floor than any island fantasy. Texas cedar adds a dry, pencil-shaving quality that prevents the composition from softening into mere floral pleasantness. There's a subtle leather accord threading through, lending a weathered, almost hide-like texture.
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3.8/5 (172)