Givenchy
A unique visual signature based on accords, character, and seasonality
Zesty lemon and tangerine burst forth with peppery basil snapping at their heels, creating an almost kitchen-garden freshness that feels vaguely herbal and deliberately unsweetened. You're immediately alert, slightly citrus-stunned, wondering if this is going anywhere beyond a pleasant cologne.
By the second hour, the florals unfurl with surprising gentleness—ylang ylang and rose establishing themselves as a powdery-creamy heart that softens the basil's edge into something almost whispered. Tonka bean begins its quiet work underneath, introducing vanilla-almond sweetness that rounds out the composition's corners and makes it feel considerably warmer against skin.
What remains is primarily tonka, musk, and ambrette combining into a softly sweet, lightly animalic second skin—the citrus and florals now mere ghosts, appearing only when you deliberately seek them. This final phase feels intimate and skin-scent close, lacking the projection to remind others you're wearing fragrance, but present enough to please you.
Eaudemoiselle is a fragrance caught in that delicious liminal space between fresh and gourmand—it refuses to commit entirely to either camp, instead oscillating between them with charming indecision. François Demachy has crafted something that feels simultaneously bright-eyed and slightly drowsy, an aromatic equivalent of afternoon light filtering through curtains.
The opening arrives with a sharp citrus-basil declaration: lemon and tangerine cut with herbaceous green snap, immediately establishing a crisp, almost culinary personality. But within moments, the fragrance begins its pivot. Ylang ylang emerges not as the creamy, almost indolic floral it can become in other compositions, but here softened by rose into something more demure—like fresh-cut flowers left to wilt just slightly, losing their stiffness but gaining warmth. This middle section is where Eaudemoiselle reveals its true character: feminine without performative femininity, approachable but not transparent.
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3.5/5 (263)