Filippo Sorcinelli
Filippo Sorcinelli
244 votes
A unique visual signature based on accords, character, and seasonality
Black pepper detonates with cardamom in a shower of sparks, immediately obscured by jasmine that's more smoke signal than white flower—indolic and almost dirty against the spice. The effect is disorienting and thrilling, like stepping from bright daylight into incense-thick darkness.
Elemi and labdanum fuse into a sticky, amber-brown resin that coats everything, whilst clove adds a dental surgery edge and coriander brings herbal-metallic brightness. This phase is dense and complex, the opoponax beginning to leak through with its warm, animal-skin sweetness that suggests centuries of accumulated smoke in fabric and wood.
The oakmoss finally emerges properly, providing an earthy-green backbone that grounds the amber and tonka sweetness into something darker and more ambiguous. What remains is soft, warm, resinous skin—the smell of someone who's spent hours in contemplative smoke, now carrying that atmosphere with them into the cold night air.
LAVS conjures the sensory theatre of High Mass in a medieval cathedral—all billowing thurible smoke and beeswax tapers guttering in stone alcoves. This is Sorcinelli channelling his liturgical obsessions into liquid form, and it's gloriously uncompromising. The opening detonates with black pepper and cardamom that crackle like frankincense hitting hot charcoal, whilst jasmine weaves through the spice haze like pale smoke curling towards vaulted ceilings. But this isn't delicate or devotional in any precious sense; there's a muscular, almost feral quality to how the resinous heart unfolds. Elemi and labdanum create a sticky, amber-dark core that smells of ancient wood and accumulated incense residue, whilst clove and coriander add a medicinal sharpness that keeps everything from collapsing into sweetness. The base is where LAVS truly reveals its character—opoponax brings an almost animalic warmth, like skin heated by layers of wool and proximity to flame, whilst oakmoss provides a crucial green-grey foundation that prevents the amber and tonka from becoming cloying. This is for those who want their fragrance to announce a presence, who understand that sacred spaces smell of smoke and wax and centuries of ritual, not antiseptic cleanliness. Wear this when you want to feel like you're carrying your own atmosphere, a personal fog of resinous intensity that makes modernist aquatics seem laughably insubstantial by comparison.
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4.0/5 (151)