Calvin Klein
A unique visual signature based on accords, character, and seasonality
Mandarin and bergamot slash across your skin with citric immediacy, accompanied by a pink floral sweetness from cherry blossom that feels airbrushed rather than authentic. Within moments, that plastic-wrapped quality becomes apparent—the opening is bright but oddly synthetic, like someone's turned up the saturation on a digital photograph.
Rose and lilac settle into a recognisable powdery-floral softness, the violet adding a skin-close creaminess that's genuinely wearable. This is where the fragrance finds its footing, transforming from novelty into something mildly soothing, though the synthetic accord keeps it from developing meaningful depth or character.
Sandalwood and bamboo provide a watery-woody base that feels more structural than sensual, whilst a soapy musk dominates the final hours. The fragrance fades rapidly and uneventfully, leaving only a faint powdery ghost that could easily be mistaken for fabric softener residue on your clothing.
Endless Euphoria arrives as a contradictory proposition: a unisex fragrance that oscillates between crystalline brightness and powdery softness without ever fully committing to either. Bruno Jovanovic has crafted something deliberately middle-of-the-road, which is precisely its limitation and, oddly, its charm.
The opening volley of mandarin and bergamot against cherry blossom creates that familiar citrus-floral aperitif—clean, approachable, the olfactory equivalent of a smile rather than a statement. But this is where the fragrance reveals its synthetic scaffolding; there's a plasticity to the citrus that prevents it from breathing naturally. The cherry blossom doesn't burst with almond-tinged delicacy; instead, it reads as a concept of cherry blossom, filtered through sterilised laboratory conditions.
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3.5/5 (76)