Annayake / アナヤケ
Annayake / アナヤケ
102 votes
A unique visual signature based on accords, character, and seasonality
The mandarin and bergamot punch through with citric brightness, immediately dampened by black tea's sharp, dry tannins. Apple blossom provides a brief floral counterpoint before the composition settles into something resembling bitter grapefruit rind and leather-bound pages.
Bamboo and lotus emerge as faint, watercolour impressions—more synthetic mist than botanical substance. The cotton flower adds a cool, slightly soapy cleanliness, whilst oakmoss begins its slow, inevitable rise from beneath.
What remains is primarily oakmoss and patchouli, rendered slightly plasticky by the synthetic base notes. The composition evaporates rather than lingers, leaving only a whisper of woody restraint on the skin within hours.
Annayake Pour Lui arrives as a peculiar collision between East Asian minimalism and woody brutalism—a fragrance that seems caught between two competing visions. Christophe Raynaud has constructed something deliberately austere: the mandarin and bergamot open with crisp citrus brightness, immediately tempered by the tannins of Chinese black tea, which lends an almost uncomfortable astringency to the composition. This isn't the plump, juicy mandarin of Mediterranean fragrances; instead, it reads herbaceous and slightly metallic, as though you've just steeped bitter tea leaves.
The heart attempts delicate restraint with bamboo and lotus, though the execution feels more synthetic than botanical—there's a watery, almost ozonic quality that undercuts any genuine floral sensuality. Cotton flower arrives late to the conversation, adding a clean, laundered texture without contributing much warmth or dimension. Where Raynaud's composition truly commits is in its base, where oakmoss and patchouli create a woody foundation with genuine character, though the synthetic accord (64%) means there's always a slightly plastic undertone to the earthiness.
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3.9/5 (84)