Al Aneeq
A unique visual signature based on accords, character, and seasonality
Bergamot flares briefly, tart and fleeting, before pink pepper's prickling warmth takes hold—not sharp, but rounded and almost jammy. Within minutes, the cinnamon bark crashes through, assertive and medicinal, trailing wisps of something dark and indefinably dank.
The benzoin blooms into full resinous sweetness, its vanilla-tinged warmth amplifying the cinnamon until they become almost indistinguishable, a unified spice-soaked caramel. That mysterious dankness persists beneath, whilst the cumin-like "sock" note emerges, adding a sultry, skin-adjacent muskiness that hovers just this side of dirty.
Amber and tonka merge into a molten, toffee-like pool, dusted with powdery benzoin that's gone soft and talc-like. The spices have retreated to a ghost of themselves, leaving only warmth and that persistent, intimate muskiness—the scent of sweetness absorbed into skin, into fabric, into memory.
Dark Velvet announces itself with an arresting contradiction: the crisp citric snap of bergamot colliding with pink pepper's fruity heat, before surrendering entirely to the sticky, resinous pull of benzoin and Laotian cinnamon. This is cinnamon in its truest form—not the sanitised, latte-flavoured version, but the bark itself, woody and faintly medicinal, mingling with a dank, earthy quality that suggests church incense left to moulder in a velvet-lined drawer. Quentin Bisch has orchestrated something deliberately louche here, a fragrance that wears its sweetness like a knowing smirk rather than a smile.
The amber and tonka bean construct a pillowy, almost narcotic base, all burnt sugar and vanillic warmth, whilst that peculiar "sock" note—presumably a cumin-adjacent muskiness—threads through the composition like a pulse of skin-warmed fabric. It's animalic without crossing into challenging territory, adding a lived-in intimacy that prevents the sweetness from becoming saccharine. The powdery accord emerges as the benzoin oxidises, creating that soft-focus effect of iris or orris, though none appears in the stated notes.
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4.1/5 (247)