Aether Arts Perfume
A unique visual signature based on accords, character, and seasonality
Mandarin zest explodes with almost aggressive brightness, immediately tempered by galbanum's green, slightly bitter iris-like character. The citrus doesn't smell fresh in the expected way—there's a bruised quality to it, as if these fruits have already begun their journey toward something else.
Fig emerges with powdery softness, its musky undertones deepening as that subtle fermented element surfaces. The galbanum retreats slightly, allowing the scent to become less linear and more complex, settling into something that smells of sun-warmed skin and aged paper, with occasional whispers of something vaguely unsettling.
Mask and mastic create a pale, woody-resinous base that holds the memory of everything preceding it. The projection drops considerably, but what remains is intimate and private—almost skin-like, closer to a second fragrance than a trailing cloud.
Dia de Muertos arrives as a paradox: simultaneously playful and contemplative, green and honeyed, bright and earthy. Daniela Andrier has constructed something that feels like wandering through a Mexican cemetery market at dawn—the air thick with marigold and fruit vendors' calls, the underlying scent of damp earth and moss.
The fragrance opens with mandarin orange and citrus fruits that feel almost candied, as if they've been sitting in the sun too long, their edges softened. But there's nothing cloying about it. Galbanum—that piercing green iris note—cuts through immediately, bringing an almost herbaceous sharpness that prevents the fruit from becoming gourmand. This is where the fragrance's true character emerges: it's not a fruity fragrance trying to be green, but rather something fundamentally verdant that happens to smell of citrus.
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3.5/5 (80)